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    AARON: Art From the Machine
by   Mark Anderson

Artificial Intelligence pioneer Ray Kurzweil has sponsored the premiere of the first excursion into computational art in history.


Originally published May 12, 2001 at Wired. Published on KurzweilAI.net November 2, 2001.

This is a story of two artists. One is human and the other is unquestionably not. The latter can, in fact, be downloaded to your computer.

Artificial Intelligence pioneer Ray Kurzweil has sponsored the premiere of the first excursion into computational art in history.

Artist and University of California at San Diego art professor Harold Cohen has been working on the art-creating program, "Aaron," since 1973. It's roughly 1.5 megabytes of LISP code, and this ever-evolving project has spawned articles, college lectures and an entire book analyzing just what Aaron is and does.

Aaron draws and paints stylized still lifes and portraits of human figures out of its programmed "imagination"--no images or additional human input necessary.

One byproduct of Aaron's work--which has hung in museums around the world--is the lingering question of the nature of art and creativity itself.

"Most everybody else does consider it to be creative," Cohen said. "I personally do not, because I have rather stringent views on what creativity would demand. But it's considered creative enough that the president of the American Association for Artificial Intelligence cited it in his inaugural address last year as one of the only creative programs in existence."

Complete article at Wired.

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Aaron's Impact
posted on 04/28/2002 1:24 AM by urantian53@juno.com

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Mark Anderson has concisely imparted information about Aaron and its creator, Professor Harold Cohen. I have been interested in this AI program since I first read about it in an article in Insight Magazine published March 1988. It is hard to believe that so many years has passed but I can attest to the impact that this creation has had on my life.

I decided to return to school and learn computers and programming, my need to earn an income and directed my interests away from the impracticality of art to the tangible reality of architecture and engineering.

Forgetting foe a time my original motives, I have been rekindled by the discovery of the 1988 article and am pleased to find that instead of obscurity, the Professor and Aaron are still relevant and a source of important study.

I am further pleased that the program is now available to download and am processing that as I write this. I hope to find inspiration here, perhaps some utilization of my AutoCAD training too. Who knows who will bring a new dimension to the fascinating world of art and the unlimited possibilities of Artificial Intelligence?

Re: Aaron's Impact
posted on 05/05/2002 11:57 AM by trait70426@aol.com

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You raise an interesting point. Perhaps when really hot AI takes off, it will build art. Art so dangerously beautiful and perfectly interesting that it will take over your mind like a destructive memeset: a weaponform! You will hopelessly, and inadequately immitate it for the rest of your life. Just like the lousy Wright immitations you see scattered all over the world.